The Kafka Undergraduate Essay Prize

About the Essay Prize

The annual Kafka Undergraduate Essay Prize competition has been run by the Oxford Kafka Research Centre since 2024 and is generously funded by Wadham College alumnus Nigel Jones. The competition is open to students who are currently enrolled in a course of German (single honours or with another subject) at a university in the UK. All entries are reviewed anonymously by a panel of judges based at the Oxford Kafka Research Centre. There is a different theme every year and the winning essays can be found below.

Winning Essays

2026 - Theme: Bodies

Joint first prize: 

Molly Hill (University of Oxford) - 'Bodies beneath the sheets: the bed as an extension of the body in Kafka'

Saskia Maini (University of Oxford) - 'How does Kafka present the trial as a bodily experience in Der Prozess to materialise bureaucratic legal authority?'

Joint second prize: 

Edward Gledhill (University of Oxford) - 'Kafka’s Bodies: Modernist Conceptions of Humanity in Die Verwandlung'

James Tilley (University of St Andrews) - 'Discuss the use of bodies in the works of Franz Kafka'

2025 - Theme: Identities

First prize:

Katie Robinson (University of Oxford) - ‘Non-human identities. Discuss the portrayal of animals and/or other non-human agents in Kafka's writings’ 

Joint second prize: 

‘Josephine Kalwij (King's College London) - Non-human identities. Discuss the portrayal of animals and/or other non-human agents in Kafka's writings’

Anna Tonge (University of Cambridge) - ‘Ossified Identities: The Bureaucratic Control of the Self in the novels of Franz Kafka and Charlotte Delbo’s Holocaust Testimony’ 

2024 - Theme: Community

Joint first prize: 

Ciara Beale (University of Oxford) - ‘Beyond the individual. Discuss the role and depiction of groups and collectives in Kafka's fictional and/or personal writings.’

Violet McKinney (University of Bristol) - ‘Beyond Kafka. How do Kafka's stories chime with the works of other writers and/or creative artists, either contemporary to him or working afterwards?’